Sizzla taken off Dutch festival days after STING ban

Sizzla Kalonji has been axed from a festival in Netherlands set for March due to anti-gay lyrics from his recent set at STING 2013

Sizzla Kalonji has been axed from a festival in Netherlands set for March due to anti-gay lyrics from his recent set at STING 2013

by Jodee Brown

Reggae/Dancehall star, Sizzla Kalonji is once again facing heat for his stances against homosexuality following his recent performance at STING 2013 as organizers for an upcoming festival in the Netherlands have removed him from their lineup, according to reports Tuesday.

The revered singer will not perform his scheduled gig at the Melkweg festival on March 16 in Amsterdam after organizers were made aware of Sizzla’s set at STING 2013, where he spoke out against gay relationships throughout.

Organizers said they did not want to offer a stage to any artist who sings ‘very hurtful and hateful lyrics.’

Patrons who had purchased tickets to see Sizzla will be refunded, according to organizers. Sizzla has yet to respond to the organizers’ stance.

This development comes days after STING organizers banned the entertainer for ‘promoting hate music,’ saying they warned him not to sing such lyrics during his performance, which was broadcast on pay-per-view to viewers worldwide.

Sizzla is among five artists nominated for the Best Reggae Album award at this year’s Grammy Awards, set to take place on Jan. 26 in Los Angeles.

Sizzla, D’Angel banned from STING, says Isaiah Laing

Reggae/Dancehall singers, Sizzla Kalonji and D'Angel have been banned from future editions of STING following alleged controversies during their performances at STING 2013

Reggae/Dancehall singers, Sizzla Kalonji and D’Angel have been banned from future editions of STING following alleged controversies during their performances at STING 2013

by Jodee Brown

Days after giving what some said was the best performance of STING 2013, Reggae singer, Sizzla Kalonji has been banned from future editions of the show by its lead promoter, Isaiah Laing, for alleged hate lyrics performed during his set, according to reports Tuesday evening.

The Grammy-nominated artist gave a rousing, hard-hitting set during the 30th anniversary show, in which he spoke out strongly against homosexuality, negative connotations attached to marijuana, among other societal issues. According to Laing, Sizzla’s ban comes as result of continuous rants against homosexuals throughout his performance, which went against a pre-show agreement with organizers not to sing anti-gay lyrics during his set.

“Sizzla was warned repeatedly before going onstage about not promoting hate music and he went up there and did it repeatedly,” the Supreme Promotions CEO told the Jamaica Gleaner. “We are going international and we warned every artiste before they went on to the stage.”

Meanwhile, D’Angel is also in hot water with Laing after giving a controversial set of her own at STING.The popular deejay was banned for at least five years as a patron following a clash with Ninja Man for what Laing called an ‘embarrassing’ stint. During the impromptu setD’Angel surprised the crowd when during her performance, she spread her legs multiple times while only wearing a short dress. She also made several references to needing to pay for her son’s school fee as she was not initially booked to do the show.

Both bans were reportedly confirmed on Saturday following a meeting.

“What kind of image is D’Angel portraying as a mother? he told The Gleaner“She’s saying she came to clash but that’s not how the clash went. It was not about Ninja Man, she embarrassed herself. At least a five-year ban for D’Angel.”

“We don’t need your money D’Angel. Stay home. Watch the event on pay-per-view next year,” Laing continued.

A press release, issued by STING 30 promoters on Tuesday illustrated the organizers’ frustration with some of the acts during their performances, saying they were, “inconsistent with their efforts to provide energetic and authentic Jamaican entertainment.”

“We believe that our artistes will take note of the observations which will assist us in effecting the kinds of control that we have been working assiduously to maintain and introduce,” the statement continued.“We wish to commend the majority of artistes who appeared on the show and performed in accordance with the standards which are reflective of our objectives.”

“Sharp lyrical exchanges and colorful performances are staples of our annual offering, however, in accordance with our efforts to internationalize the event, we strive to ensure that the performances conform to accepted standards of decency and decorum.”

STING 30 was broadcast to overseas viewers, via pay-per-view and a live stream worth just under $US40 each.

Supercat, Saw, Sizzla and ‘Di Stinga’ highlight intriguing STING 30

by Jodee Brown

After a night filled with clashes, eye-raising moments and the return of a legend, STING 2013the 30th anniversary of the ‘Greatest Dancehall show on Earth’ on Dec. 26 certainly entertained and provoked thoughts throughout, leaving music lovers with lots of talking points to dissect for a long time coming.

The show, organized by Supreme Promotions and Downsound Records was, in this writer’s opinion, the most intriguing one since 2008 when the rivalry between Vybz Kartel and Mavado came to a head. Highlights were prevalent and lowlights were evident; here’s a look at some of those performances and moments in this STING 30 review.

Early Segments

Early Segments

Early Segments: STING, perhaps given the amount of entertainers on the bill, started shortly after 8 a.m. Amongst the emerging artists that performed within the first two hours of STING were Kalado and Toronto based deejay Touchless, who gave short, yet effective sets, going into songs like You Make Me Feel and Summer Body respectively. However, it was fast-rising Reggae sensation, Jah Bouks that was a hit with the smaller crowd inside the Portmore-based Jamworld, performing his big hit, Angola as well as newer material such as Going Home. His performance savvy, seen at a slew of show this year, makes him a must-watch act in 2014 and beyond.

Reggae shines on stage (Romain’s last STING?)

Reggae shines on stage (Romain’s last STING?)

Reggae shines on stage (Romain’s last STING?) File photo

Though STING draws a hardcore Dancehall following, pure Reggae acts always find strong favor with the crowd, and this year was no exception. As per usual, Etana andI-Wayne drew some of the best responses from the typically judgmental audience, with the former bringing out Alborosie for a strong rendition of their collaborative hit,Blessings while the latter connected with his female following with, Girl I Love You.

While the likes of Nature and Iba Mahr also presented high energy sets, the stand out performance came from one Romain Virgo, who repeatedly hinted that this year might be the last year he performs at the show. It was a surprising admission from the 23-year-old phenom, who went into hits such as Who Feels It Knows It, Rain Is Falling, Mi Prefer Wait and Serious Times while decked out in all-white. Whatever the reasoning was behind those utterances is unknown, but after giving one of the best sets throughout the night, no one will be hoping he actually lives up to his proclamation.

Wyclef props and 2 Chainz flops

Wyclef props and 2 Chainz flops

STING 30 went out of its element by inviting international artists to the show to provide a different flavor to its fans. Unlike the more mixed crowd for Reggae Sumfest, however, it was always going to take a lot more effort to appease this crowd and in the case of 2 Chainz, he learned that the hard way.

The American rap star’s set started off on the wrong foot with technical issues dominating the first five minutes. Once his mic was finally fixed, his set just failed to get off the ground. In a performance littered with unapologetic cursing, he did songs like Birthday Suit, No Lie and others to an unmoved, silent crowd who did not seem to know exactly how to react. No matter how much he tried to warm up to them, it just was not connecting; frankly looking like a mismatch between artist and fan base. He incessantly complained about his stage time late in his performance, but perhaps this flop of a set should have ended sooner given the circumstances.

On the other hand, Wyclef Jean went over with the Portmore-based crowd by doing something that will always get you in their good graces, shouting out incarcerated Dancehall superstar and Portmore native, Vybz Kartel. After renditions of classics such as Gone Till November and911, as well as a smattering of poetry, Wyclef went into the crowd before unleashing a pair of Kartel hits for the crowd to savor. Also shouting out Buju Banton and convicted drug baron,Christopher ‘Dudus’ Coke during his set, Wyclef endeared himself to the crowd the best way he could, by indulging in the culture.

Supercat still has the ‘Iron Claw’

Supercat still has the ‘Iron Claw’

Supercat still has the ‘Iron Claw’

Now at age 50 and 11 years removed from his last performance in Jamaica, the return of the ‘Don Dada,’ Supercat to the STING stage was filled with as much mystery as there was anticipation, considering how scarce he has been on the music stage in recent years.

However, the legendary Dancehall/Reggae star showed why he is still one of the most feared and respected performers in the game, recovering from a somewhat slow opening to launch into full gear with hits like Si Boops Deh, Unda Pressure and Dolly My Baby.

The crowd loved it and there was a flow to his set, the longest of the night. Supercat also showcased some new material, including talking about his ‘doggie leg,’ but his mere presence in a white suit, sporting a beard and curls was a pleasure to witness. Hopefully, there will be more sightings of this Jamaican music great in the years to come.

Lady Saw trounces Macka Diamond in clash

Lady Saw trounces Macka Diamond in clash

Lady Saw trounces Macka Diamond in clash urbanislandz.com

Truth be told, to call this highly anticipated showdown between the ‘Queen of Dancehall’ Lady Saw and Macka Diamonda clash may be overstating it a bit. This was more of a shouting match than anything else; providing more moments of entertainment than quality lyrical content.

Saw was in no joking mood throughout the night, giving a X-rated performance that kept eyes fixated throughout, particularly during her performance of Heels On, when she called out model, Tyson Beckford and simulated a sexual position on stage while singing. Following her standout performance, she called out Macka to the stageMacka, donning all-black and face paint, did a clash-friendly rendition of her hit, Dye Dye before all hell broke loose. The two nearly butted heads before Lady Saw went out in full attack mode, alleging several sexual relationships Macka had in the music business before letting her lyrics do the talking.

Though said lyrics were not up to the standard we’re usually accustomed to from the legendary deejay, she was never pushed to go into second gear with a seemingly intimidated Macka pushed to the brink of admitting defeat near the end, saying ‘Mi will die trying.’ That line alone proved how one-way this ‘clash’ was. Saw was ruthless as she saw her prey and wouldn’t let up once she had it in her clutches, making Macka ‘die die’ lyrically as she unleashed her vocal bullets.

D’Angel gets raunchy during clash with Ninja Man

D’Angel gets raunchy during clash with Ninja Man

D’Angel gets raunchy during clash with Ninja Manyardhype.com/kingstonstyle.com

Ninja Man has faced his share of tough opponents in the clash arena – Supercat, Mad Cobra, Merciless and Kiprich – but this year’s clash rival was relatively new in that area of music. After winning a celebrity clash against Ishawna in November,D’Angel decided to respond to a lyric the ‘Don Gorgon’ sang about her during his set. She used her retort to address a fresh controversy about a picture exposing her privates that circulated on the internet shortly before Christmas. Not only did she use it as material in her answer to Ninja Man, she even ‘skinned out,’ in front of the audience while wearing a short blouse, adding a raunchiness to her set that she is not typically known for. She was unafraid of the repercussions and certainly prompted bulged eyes to be made throughout this short-lived clash.

Performance of the night – Sizzla

Performance of the night – Sizzla

Performance of the night – Sizzlayardhype.com

Otherwise, Aidonia and Beenie Man were relatively solid throughout their sets, Tommy Lee seemed reflective as he talked about his car accident and expressed his desire for a United States visa during his performance and Mavado put to rest any recent speculation about his relationship with mentor, Bounty Killer by shouting him out during his performance – a combination of old school gangsta hits mixed with a few newer songs.

But the single best performance of the night had to be Sizzla Kalonji, who was in a militant mood, performing classics like Thank You Mama, Trod Mount Zion, Be Strong and many more. Often free styling and even throwing a couple of barbs in the direction of STING’s lead promoter, Isaiah LaingSizzla made several points addressing homosexuality, Africa and many more topics to overwhelming approval from the crowd. He did not miss a beat, and should be given serious consideration to close the show in the near future.

Ryno beats Kiprich in title clash

Ryno beats Kiprich in title clash

Ryno beats Kiprich in title clash

After disposing of General B, Mercilessand even the clash king himself, Ninja Man, Kiprich was hoping for some competition for the clash title and a US$30,000 on the line to close the show. On stage stepped a surprise opponent in Black Ryno, who at the same show last year was pushed off stage by Popcaan during a heated exchange between ex Portmore Empireteammates.

Donning a very unusual costume, Kiprich looked to have underrated Ryno’s ability from the jump, but was quickly put in line by ‘Ryno Di Stinger’ with a quick, devastating flurry of lyrics which included mostly freestyles. After ‘Kippo’ made a reference to last year’s incident involving Ryno, however, the Facebook singer did not garner many likes as the clash went on as impatient, bipartisan crowd booed him as they rooted for their hometown artist. This was a unanimous decision in the end, leaving Kiprich with too much to overcome and Black Ryno with US$30,000 more in his pocket. Hopefully, this will be the start of a renaissance in the career of an artist still looking for his first big hit since severing ties with Vybz Kartel.

10 hit Reggae albums that deserved Grammy nominations

by Jodee Brown

On Friday night, The Recording Academy announced its nominees for the 56th Grammy Awards, slated for January 26 in Los Angeles. A fair amount of intrigue surrounds this year’s Reggae Grammy nominees, with Snoop Dogg (under the Snoop Lion moniker) and Sizzla standing out amongst the contenders.

However, while the selection committee has managed to correctly reward some of Reggae’s most influential projects in the past, there were some top-of-the-line albums by Jamaican artists that were inexplicably snubbed, for whatever reason, with regards the Best Reggae album honor. Here are 10 such projects that deserved a shot at music’s most prestigious prize:

Honorable Mention: Reggae Music Again (2012)

Honorable Mention: Reggae Music Again (2012)

Honorable Mention: Reggae Music Again (2012)File photo

A certain honorable mention for this list is Busy Signal’s Reggae Music Again. The all-Reggae effort, released months before serving a six-month stint in a U.S. prison last May was relatively solid as he and Shane Brown combined to produce hits like Come Over (Missing You) and Reggae Music Again, showing Busy’s undoubted versatility. This project was a classic case of quality of music out-trumping quantity of record sales. Yet, The Recording Academy chose not to take too much notice.

10. Etana – Better Tomorrow (2013)

10. Etana – Better Tomorrow (2013)

10. Etana – Better Tomorrow (2013) File photo

Regarding this year’s award selections, there was not much of an issue from my perspective regarding the nominees, which also included Beres HammondZiggy Marley and Sly and Robbie and the Jam Masters. However, this year seemed like the ideal opportunity to buck a longstanding trend of female acts not earning a Grammy nod, with Etana’s most recent album, Better Tomorrow warranting such an honor.

The album featured some of her best work including songs such as QueenBeautiful Day and the addictive track, Reggae and, had it been nominated, would have marked the first album by a female act since Sister Carol’sLyrically Potent in 1997 to earn such a nod. Alas, it was not meant to be for the ‘Strong One.’

9. Romain Virgo – The System (2012)

9. Romain Virgo - The System (2012)

9. Romain Virgo – The System (2012)vpreggae.com

Last year, the Recording Academy failed to buck yet another recent trend – mainly elder acts and familiar names getting nods – and overlooked a strong breakthrough effort by emerging Reggae superstar, Romain Virgo with his debut album, The System.

This album made Virgo a standout name in Reggae music, with hits such as Rich In LoveI Know Better and The System and showcased his vocal range and versatility to the world. Though the album was not a smashing commercial success, it featured quality music from top to bottom and would have fit onto a final nominations list with work less heralded and similarly struggling in the sales department.

8. Sizzla – Praise Ye Jah (1997)

8. Sizzla - Praise Ye Jah (1997)

8. Sizzla – Praise Ye Jah (1997)reggaeville.com

In 1997, a young, fiery singer by the name ofSizzla Kalonji announced himself to the Reggae scene with this thought-provoking album, Praise Ye Jah. This album was a slight turn from the albums of the early-mid 90s which were predicated on soft tones and soothing melodies. Not to say this album didn’t have sprinkles of either, but on this record, you could feel Sizzla’s passion as he helped usher in the more edgy, aggressive type of Reggae music that would force others to pay attention.

The album did not quite make Sizzla a mainstream hit, but with songs like Praise Ye Jah, Homeless and Dem a Wonder, it warranted a Grammy nod just based on the fact it offered something different from the usual Reggae project and found some measure of credence with music lovers, allowing his star to shine early on in his career.

7. Beres Hammond – Moment in Time (2008)

7. Beres Hammond - Moment in Time (2008)

7. Beres Hammond – Moment in Time (2008)amazon.com

Beres Hammond’s 11-year wait for a Grammy nomination could have been cut in half if his 2008 album, Moment In Time had been one of the five finalist for the 2009 Reggae Grammy. This was a breathtaking album from the Reggae legend, featuring hits like No GoodbyeI Feel Good andGive It All You’ve Got and possessed enough quality to warrant a call in a rare year when six nominees were selected.

6. Diana King – Tougher Than Love (1995)

6. Diana King - Tougher Than Love (1995)

6. Diana King – Tougher Than Love (1995)7Digital.com

In the mid-90s, Diana King was one of the hottest properties in Jamaican music, particularly for her hit single, Shy Guywhich was featured on the soundtrack to the first installment of the Bad Boys movie series. Other tracks like Treat Her Like a Lady, later covered by Celine Dion, made her a breakout star internationally.

Despite that and the fact Tougher Than Love was certified gold in the United States, she was snubbed for the award, again proving how much harder it was for a Jamaican female act to garner the same attention for such a major award than her male counterparts.

5. Bounty Killer – My Xperience (1996)

5. Bounty Killer - My Xperience (1996)

5. Bounty Killer – My Xperience (1996)amazon.com

Having arrived on the scene with a rough-edge, no nonsense style in the early 90s,Bounty Killer became one of Dancehall’s most prolific stars and was soon gaining international recognition, collaborating with the likes of The Fugees and Busta Rhymesfor his 1996 project, My Xperience.

This was easily the best project ever compiled by the ‘War Lord,’ featuring hits like Living Dangerously (w/ Barrington Levy), Maniac (w/ Richie Stephens),Seek God and Revolution (Part 3) – w/ Beenie Man and the late Dennis Brown.Certainly, one of the greatest Dancehall albums ever put together should have received a nod, but did not make the final list, for the 1997 Reggae Grammy, which was won by Bunny Wailerfor his 50th anniversary album dedicated to the late, great Bob Marley.

4. Luciano – Where There Is Life (1995)

4. Luciano - Where There Is Life (1995)

4. Luciano – Where There Is Life (1995)last.fm

Though he scored a Grammy nod for his 2002 album, A New Day, his best album,Where There Is Life was surprisingly not deemed worthy of similar acclaim for the 1996 awards. The Philip ‘Fattis’ Burrell produced album featured some of Reggae’s biggest hits, including It’s Me Again Jah,Who Could It Be and Lord Give Me Strength. It was a shame considering how popular many of the songs were in the mainstream and the album would have presented a strong challenge to the eventual winner, Boombastic by Shaggy.

3. Sizzla – Da Real Thing (2002)

3. Sizzla - Da Real Thing (2002)

3. Sizzla – Da Real Thing (2002)reggaeville.com

Though he already had hit albums like the aformentioned Praise Ye Jah, Sizzla Kalonji never truly broke out as an international mainstream star until his 2002 album, Da Real Thing came out, which produced the mother-loving anthem, Thank You Mama, Just One of Those Days, Solid As a Rock and a bevy of others.

He put himself out there as Reggae’s next big star, but his star apparently did not shine enough to earn a look from the Grammy selection committee the following year, whenLee ‘Scratch’ Perry took home the honor. A surprising omission to say the least.

2. Buju Banton – Til Shiloh (1995)

2. Buju Banton - Til Shiloh (1995)

2. Buju Banton – Til Shiloh (1995)File photo

How Buju Banton’s greatest album to date did not earn a Grammy nomination is, in my opinion, one of the greatest travesties in Reggae music.

This undoubted classic featured worldwide hits such as Untold Stories, Not an Easy Road, Wanna Be Loved, Murderer andChampion. Though he would later score five more nominations, including winning the 2011 Best Reggae Album honor for Rasta Got Soul, Til Shiloh without question should have been nominated and would have made contention for the 1996 Reggae Grammy a lot more interesting.

1. Shaggy – Hot Shot (2000)

1. Shaggy - Hot Shot (2000)

1. Shaggy – Hot Shot (2000)File photo

As eye-popping as Buju’s omission was, however, there was no greater shock than when one of Jamaican music’s best-selling albums of all-time was snubbed for the 2001 Reggae Grammy.

Shaggy’s Hot Shot not only produced international hits like Angel (w/ Rayvon) andIt Wasn’t Me (w/ Rik Rok), the album was certified diamond in the U.S., with close to 10 million records sold there and over 20 million worldwide.

Despite the fact It Wasn’t Me was nominated for the Best Pop Collaboration w/ Vocal, what seemed like a shoe-in for a nomination and a possible victory in 2001 (Beenie Man’s Art and Life won that year) for Hot Shot was snubbed by the academy. It remains a mystery how one of Jamaican music’s best commercial successes – topping the Billboard 200 chart and U.K. Albums Chart – never received the call up it deserved for music’s greatest prize.

Snoop Lion, Sizzla amongst finalists for Reggae Grammy

Snoop Lion (left) and Sizzla (right) are both first time nominees for a Best Reggae Album Grammy award.

Snoop Lion (left) and Sizzla (right) are both first time nominees for a Best Reggae Album Grammy award.

by Jodee Brown

After temporarily ditching hardcore lyrics for songs about unity and anti-violence, Snoop Dogg has seen his Reggae efforts rewarded by The Recording Academy as he was named one of five finalists on Friday for the Best Reggae Album award at next year’sGrammy Awards.

The artist, whose real name is Calvin Broadus, is being nominated for his album, Reincarnated, released in April while using the Snoop Lion moniker. The album, which features collaborations with Mavado, Popcaan, Mr. Vegas, Drake and Miley Cyrus amongst others, was the best-selling Reggae album in the United States this year, with over 21,000 copies sold in its debut week and, to date, has sold well over 50,000 copies there.

Despite criticism from legendary Jamaican artists such as Bunny Wailer and Lady Saw, the album received a number of positive reviews. However, the Snoop Lionact appears to have been cut, at least for the time being, as he recently changed his name again, to Snoopzilla.

Another artist receiving his first Reggae Grammy nod is Sizzla Kalonji for his album, The Messiah. Having recorded over 70 albums in his career, it is the first chance he will have a music’s most prestigious award. The Messiah features 15 tracks, including Chant Dem Down and Psalm 121.

Beres Hammond is also amongst the finalists, securing his first nomination since 2002 with his One Love, One Life double album, featuring the hit single, In My Arms.

The other two contenders for the Best Reggae Album award are four-time winner, Ziggy Marley for Ziggy Marley in Concert and Sly and Robbie and the Jam Masters with Reggae Connection.

The 56th Grammy Awards will take place on January 26 at the Nokia Theatre in Los Angeles.

Sizzla denied return to the U.S. after being denied visa

sizzlaby Jodee Brown

Having being barred from performing in the United States for five years, it appeared that Reggae superstar, Sizzla Kalonji was nearing a return to the country with an impending tour there set to start. That return has now hit a sudden snag.

According to reports Tuesday, Sizzla has been denied entry into the U.S. after his visa application was revoked. This just two days before the highly respected singer was due to begin a month-long tour across the U.S., which was due to go on until Dec. 22.

The tour would have seen Sizzla, whose real name isMiguel Collins, travelling cross-country, with performances set for venues in New York, Washington D.C. and Colorado, amongst other states.

Stephen Brush, the booking agent for said tour told theJamaica Observer that they have decided to push back the tour as they hope to reschedule to tour for late winter.

“I am deeply saddened by the news, and I can say this is one of the worst weeks in my career,” Brush said. “It is not a dead issue, but I am no longer comfortable waiting and seeing. What I would like to do is postpone the tour and look at re-booking it for February and March.”

Sizzla has not held a U.S. visa since 2008. Perceived ‘gay-bashing’ in his music over the years has triggered protests of his shows from gay rights groups in the United States, Canada and Europe in the past, including cancellations to shows in Toronto and Montreal thanks to protests by members of the Stop Murder Music coalition.

Mavado reportedly set to perform at STING 2013

Dancehall superstar, Mavado (left), who will soon be unveiling the video for his single, 'Give It All Me' featuring Nicki Minaj (right), is reportedly set to headline STING 2013

Dancehall superstar, Mavado (left), who will soon be unveiling the video for his single, ‘Give It All Me’ featuring Nicki Minaj (right), is reportedly set to headline STING 2013

by Jodee Brown

Organizers of Dancehall’s most popular and controversial event, STING are seemingly pulling out all the stops for their 30th anniversary show as Dancehall superstar,Mavado is reportedly leading the line to perform this December.

According to reports Saturday, the ‘Gully Gaad’ will be headlining STING 2013, a year after failing to perform at the show due to a monetary dispute with STINGpromoters, Isaiah Laing and Joe Bogdanovich, the CEO of Downsound Records.

A person with knowledge of the STING lineup told Urban Islandz, “I can confirm that Mavado the Gully God will be taking the stage at Jamworld.”

Mavado, who will soon release the official video for his remix of Give It All To Me (feat. Nicki Minaj), will be joined by Reggae legend, Sizzla Kalonji as well as popular Dancehall stars, Aidonia and Tommy Lee Sparta.

These reported confirmations come just over a week after Dancehall legend, Supercat, who made his name in his clash with Ninja Man at STING 91was confirmed for the show, marking his first performance in Jamaica since 2001.

American rap star, 2 Chainz has also been confirmed as the show’s overseas headliner.

STING’s 30th anniversary show will take place on Dec. 26 at Jamworld in Portmore, St. Catherine. Nikki Zhas been confirmed as the show’s host.