DeMayorTV drops killer Soca Reggaelution XXX Gyalentine’s video

Veteran Soca promoter and DJ Fresh Cut De Mayor smashes into 2016 with the XXX Edition of SOCA REGGAELUTION! This time around, Valentine’s Day was ‘turnt-up’ to De Gyalentine’s Day to remember! Brought to you by DeMayorTV! Click the image above or watch the video here: https://youtu.be/NBIAdh5xGNE

Video by Time2Rize Media
Media coverage – TorontoDeejays.com

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MILESTONE 4.0 – THE CELEBRATION VIDEO (RECAP)

BEFORE EDIT-MILESTONE 4.Still004Fresh Cut De Mayor’s Official Birthday Celebration along with a gang of Pisces and Aries hit The Vue in mid-March and it was truly a #Milestone celebration! A variety of champaign bottles, hard liquor and birthday cakes were brandished throughout the venue by Milestoners and their good friends as they moved their waist-lines to the sounds of Champion Squad, Fresh Cut De Mayor, Suppa Natty, DJ Jeff and others.  #DeMayorTv presents your official chance to enjoy and re-live this memorable Milestone event. And if you missed it, click ‘play’ to sail through one VIP booth after another and get crunked up.

WATCH VIDEO HERE: https://youtu.be/0EWJqestdFQ
TW: @freshcutdemayor
IG: @freshcutdemayor

[INTERVIEW] ALKALINE: NOT THE YOUNGEST BUT STILL BADDEST

Alkaline talks about his new look, his friends, Not performing at Sting, Tommy Lee, Gage, Mavado, I-Octane, and his musical plans for 2015! Brought to you by TorontoDeejays.com

IG: @TorontoDeejays

TW: @TorontoDeejays

CLICK HERE to watch the Video Interview with Alkaline http://youtu.be/prCZd58YumY

Nikki Z to host U.S. based Dancehall talent competition

Dancehall Got Talent, the first North American talent show solely based on Dancehall and Dancehall themes, will be coming to the airwaves in the near future.

Dancehall Got Talent, the first North American talent show solely based on Dancehall and Dancehall themes, will be coming to the airwaves in the near future.

Popular media personality and disc jock, Nikki Z is set to host and co-produced the first televised Dancehall talent show in North America as Dancehall Got Talent is expected to hit the airwaves in the near future, according to reports Tuesday.

The show, produced by LA Wright and Kevin Beswick, is aimed at unearthing deejays and dancers based in the U.S. and promoting them worldwide. Dancehall Got Talent is scheduled to being airing in October and will be broadcast via OmniPresent Media (OPM) while the show will be streamed on Roku and can be watched on Apple TV, Xbox 360, iTunes and various other digital outlets.

A release issued by producers of the show intimated that the new show will enable the growth of Dancehall internationally.

“Dancehall Got Talent’s mission is to break down the walls and prejudices that have prevented the growth and development of the genre, while catapulting new artistes in dancehall to the mainstream,” the release said, while Nikki Z added, “For me, this is what I have been working for most of my career. The chance to really show how powerful and how magical the reggae dancehall culture is. The good, bad and ugly. To be an executive producer on such an historic adventure is something I can’t translate into words. This is just the beginning of much more to come – proves that belief in self is so important.”

The winning deejay of Dancehall Got Talent will receive US$5,000, a recording contract and global distribution deal while the victorious dance group will be brought back as the official dance crew for season two.

Dancehall diva, Timberlee along with recording artist, Ed Robinson, fashion expert and entrepreneur Dougie Platinum and IRIE Jam radio personality, DJ Roy will be the show’s judges while guest judge appearances and cameos are expected from acts such as Beenie Man, Mavado, Samantha J, Ce’Cile, Ace Hood, Danielle DI, Kes The Band and more.

The first open audition for Dancehall Got Talent will take place at the Jamaica Performing Arts Center in Queens, NY this Friday while registrations for said auditions will be closed on Sept. 1. For those interested in auditioning, call 347-502-8310, email dancehallgottalent@gmail.com or visit the official Dancehall Got Talent website here for more information.

Mavado talks in-depth about Bounty Killer feud

Mavado has sent some stinging words in the direction of Bounty Killer, speaking in depth about his feud with his ex-mentor for the first time.by Jodee Brown

Dancehall star, Mavado has opened up about his ongoing feudwith former mentor and Alliance leader, Bounty Killer, claiming a lack of respect, among other things have cause the falling out between the two deejays.

Mavado appeared on CVM’s OnStage talk show, aired Saturday night, speaking from the We The Best Music Group headquarters about the issues between himself and Bounty. In the interview,Mavado held nothing back, joking that Bounty must be ‘mixing Hennessey with crack,’ after questioning his loyalty to the Allianceand calling him a ‘sellout,’ saying he’s always shown his ex-mentor respect.

“Mi stand up beside yuh straight and mi show yuh loyalty and respect straight, everywhere inna di world mi go, mi she big up Killa when yuh nah dweet,” he said. “How Killa fi get up and she mi nuh show loyalty and who sellout. Weh u mean by dat Killa? A your actions mek we inna da spot hah today.”

Mavado then brought up the fatal shooting outside the QUADnightclub in Kingston in 2011, outside Bounty Killer’s birthday party, which claimed the life of his best friend, Conroy ‘Connie’ Edwards.He says Bounty acted disloyal in the first place by having the party at a club which was partially owned by then rival deejay, Vybz Kartel. However, his biggest gripe remains that Bounty never sent condolences to him about his loss, instead blaming him for ruining his party.

“After what happen at the club, Killa still couldn’t tell mi condolences fi mi friend,” he said. “Him couldn’t look pon mi fren mother, daughter, family and seh simple condolences, and remember she is a ute weh u know too,” saying Bounty used to have Edwards run errands for him and even hung out with him and Mavado the week before the shooting.

Following a slew of diss songs Bounty Killer aimed at Mavado, the ‘Gully Gaad’ maintained that the songs were not up to par, saying Bounty sounded ‘hungry’ more than angry. He even said he went to great lengths to defend his then mentor, but never felt he got enough credit for it.

“Me a di defending champion fi di Alliance, when you nah do nutten, when a man a diss you to the last ground and you couldn’t defend yuhself. Mi loyal to the Alliance weh mi help mek.”

Not only did Mavado speak openly about his issues with Bounty, he took shots at former Alliance teammate, Busy Signal, who he called an ‘idiot’ and ‘Gary Reanno Gordon,’ in reference to Busy’s hit One More Night in which some music listeners said Busy mentioned ‘Gary’ in the song.

“Oooh, mi sell platinum and this and that. 30,000 streaming inna Europe. Platinum? Yuh a gwaan like yuh sell a million copy Busy. Stop talk and top gwaan suh Busy,” Mavado said in response to Bumaye, Busy’s single with Major Lazer which went platinum in Denmark.

“Yuh nah no street cred Busy. We nuh see yuh no weh. How yah talk bout ‘di General, di General,’ and nobody nuh see yuh and Killa a par fi years now,” he added, which also calling Busy an imitation of legendary artists Shabba Ranksand Terror Fabulous.

Meanwhile, We The Best Music Group founder, DJ Khaled also spoke on the Bounty-Mavado feud, tellingOnStage, “Mavado is my friend and I heard things in the street that there is a little vibe going on… But at the end of the day Mavado will tell you I am always going to promote love and promote peace and I am always going to promote positivity because that is what a real friend is going to do.”

He also hopes for a future peace collaboration between Bounty and Mavado, writing on his Instagram page, “Everyone always ask me what’s a collaboration u would love to make happen. I tell the world I would love to make a rec wit @mavadogully @grunggaadzilla ! Jamaica STAND UP! #Alliance #wethebest the people the streets want to see this happen!! I’m going go hard and find away to make it happen !!! Jah know!!!!”

Watch the full OnStage interview with Mavado here: http://www.youtube.com/user/OnstageTVJamaica/videos

 

Krymis tells the youths that they are ‘Heading To The Top’

Gully side deejay, Krymis aka Northbound says music is his main focus despite the ongoing feud between Mavado and Bounty Killer

Gully side deejay, Krymis aka Northbound says music is his main focus despite the ongoing feud between Mavado and Bounty Killer

by Jodee Brown

In spite of the developing war between Alliance leader, Bounty Killer and long-time protégé, Mavado, emerging artist and Gully Side affiliate, Krymis aka Northbound is looking past all the negativity as he has released a single signaling his intentions as an artist, aptly-titled, Heading To The Top.

Produced by D1 Productions, this uplifting song sees the deejay live up to his Northbound moniker as he calls attention to the desire he and other ghetto youths possess in trying to reach the top of their chosen professions. Showing off his singing and deejaying skills on a up-tempo, yet conscious beat, Krymis puts true emotion into the song as he lets us know why he won’t let any negativity stop his progress while pointing out that all inner-city youths need is one chance to prove their worth in society.

“When you see the youths them a rise, just give it up, and don’t fight for the cake ‘cause it is big enough, dem nuh like ghetto youths and that’s ridiculous, badmind, grudgeful nuh wan’ fi see wi buss,” the motivated deejay sings while adding, Mi heading to the top, mi nah laugh, serious as a ute and mi nuh too talk, neva go a college, but yuh know mi street smart, true mi a no fool mek dem nuh bump mi off.”

The lyrics mirror Krymis’ mentality in a genre which, as previously mentioned, now sees two of its greats, Bounty Killer and Mavado squaring off, with the former releasing a slew of disses in his long-time protégé’s direction. Having known and been affiliated with Mavado and viewing Bounty Killer as ‘The General’ in music, Krymis insists he is taking no sides in this developing feud as his career remains his main objective.

“Right now, mi jus a do me, mi nuh inna no distractions,” he said. “I have two songs inna di juggling, playing pon regular rotation. We a get some good energy from the dance dem, including Weddy Weddy Wednesdays. That’s all I’ve ever wanted. I feel like it’s a very great step.”

In addition to promoting Heading To The Top, Krymis continues to show off his writing skills as he currently writes for fellow deejay, Quick Cook and recently featured with him on Game Over, a single feature on ZJ Liquid’s Good Book Riddim. He also is working with emerging producer, Red Boom and is featured on the Super Juggling Riddim.

Heading To The Top is a true motivational anthem that will inspire anyone to fight for their dreams no matter what surroundings they find themselves in. A sure radio hit, Krymis intends to do his best to live up to the song title with each and every effort he puts out.

Anju Blaxxx being plagued by scammers

by Jodee Brown

CEO and producer of UIM, Andrew Myrie, known to fans as Anju Blaxxx, is seeking to remedy the malicious work of scammers who have been plaguing his musical career.

In an official press release, UIM announced, “There has been a pervasive scam being done by unscrupulous persons, that has been ongoing for several months.”

This started since summer of last year, when Anju Blaxxx was contacted by friends, saying someone was soliciting cash and call credit from a fake Facebook account.

Anju Blaxxx also disclosed that clients have been contacted and generally told by scammers using the Facebook page, that they are working on a rhythm and that persons should send money via Western Union. However, Anju Blaxxx wants to make it clear that, he does not have a personal Facebook account, only a Fan Page which is under UIM, further emphasizing that he does not use Facebook to conduct business.”

General Vigilance

The UIM producer also took the opportunity to encourage prospective clients that they should be vigilant against phone and email scams that use his name as a lure. UIM (Uptempo International Music) does not initiate contact with clients from Facebook or does not request call credit, confidential access information or similar manipulative schemes.

Nevertheless, persons looking to conduct business with Anju Blaxxx of UIM, should contact UIM’s manager, Ms. Tanya Thelwell at tanyathelwell@gmail.com: 1-876-898-4311, 1-876-546-2759 or uimrecords@gmail.com.

Meanwhile, there are a number of projects in the pipeline for the producer. The latest rhythm is called the Punjabi Riddim, which features artistes: Mavado, Popcaan, Tommy Lee, Spice, Blak Diamon, Alkaline, Konshens and more.

Recording artiste, Tommy Lee currently has his video on the Riddim on YouTube. Additionally, there’s a single with UIM’s artiste, Blak Diamon titled Bang Bang, which has been enjoying rotation on the airwaves.

Mavado labels Bounty Killer’s diss songs ‘garbage,’ says he is not on his level

Mavado has responded to lyrical shots fired at him by Alliance leader and long-time mentor, Bounty Killer, saying Killer's songs were weak and he needs to try harder to get his attention.

Mavado has responded to lyrical shots fired at him by Alliance leader and long-time mentor, Bounty Killer, saying Killer’s songs were weak and he needs to try harder to get his attention.

by Jodee Brown

Dancehall superstar, Mavado has thrown fuel on the fiery relationship between him and long-time mentor, Bounty Killer, saying the legendary deejay is not on his level in response to a pair of diss songs released by the ‘Grung Gaad’ in the last week, in which he finally broke his silence on his feelings towards the ‘Gully Gaad.’

Killer released the lyrically sharpshooting song, Death Work last week in which he called Mavado a sell out since signing with We The Best Music Group. A follow up single released Monday titled, A Who also showcased dismissiveness towards Mavado, claiming he has been ungrateful for far too long.

Mavado finally responded to Bounty Killer’s taunts on Tuesday, but told ZIP FM that he does not plan to respond to either song because Bounty’s diss tracks were weak.

“Those are not songs, those are garbage,” he said. “That’s no music. Them songs deh?Which part dem a go? Dem not even a go cross the airport so why should I even listen to them. I won’t even give them the time of day. I don’t have to call anybody name to be on top. I’m always on top. They are the ones that always have to be calling David Brooks name to create a hype or a buzz for their career. I don’t have time for that.”

Mavado also laid down a challenge to Bounty and anyone else who wants to challenge him bar for bar.

“If a artist feel as if him wan fi deh inna lyrical confrontation wid me, you haffi up to mi standard and everything right now,” he said. “Yuh cyaah come deejay garbage and feel like yuh can go up against Gully Gaad. That’s garbage. That’s nothing.”

The two have been at odds, on and off, since the fatal shooting of Mavado’s cousin, Conroy’ Connie’ Edwards at Bounty Killer birthday party in June 2011. Mavado has long been accused of throwing subliminal disses Bounty’s way in songs like Dem a Try Style Man and Pon Di Gully.

Bounty Killer calls out Mavado in new song

Bounty Killer has taken his issues with long-time protege, Mavado to the studio, releasing a scathing diss track aimed at him entitled, 'Death Work.'

Bounty Killer has taken his issues with long-time protege, Mavado to the studio, releasing a scathing diss track aimed at him entitled, “Death Work”

by Jodee Brown

If there was any doubt as to whether or not the friendship between Alliance leader, Bounty Killer and long-time protégé, Mavado was in tatters, that doubt has now turned to certainty after Bounty recently released a scathing diss track aimed at the ‘Gully Gad.’

The song, Death Work, released on Wednesday, calls out Mavado and his management team after a series of subliminal disses that Bounty believes were aimed at him by his protégé. Since the start of the year, songs like Dem a Try Style Man and Pon Di Gully contained lyrics that seemingly took thinly-veiled shots at Bounty. The latter song drew a terse response from the ‘Grung Gaad,’ in which he said “A one general inna music bout bex bad, and dem nuh wah see a next gad? Tell madden send him best bag.”

In Death Work, Bounty Killer says Mavado sold out ever since landing his deal with We The Best Music Group, deejaying, “Sign yu to Khaled, sen yu guh foreign to make a outreach, yu tun rapper groupie, deh dung a South Beach and have the heart fi come a run off yu mouth peace, pass yu place a yu career a gonna out it, everything pon the Gully mi a rub out it. Bwoy tell yu bout yu madda and yu big him up, yow yu been a drop words come act big enough confront the General, hope yu can live it up.”

He also says, “Mi nah forgive dem, dem know all dat they have done…father a done di son.”

Mavado has yet to respond to this new diss track. Death Work is the strongest signal yet that he and Bounty Killer are not on good terms after years of speculation. The relationship between both deejays has been rocky ever since 2011 following a fatal shooting incident outside of Bounty Killer’s birthday party at the QUAD nightclub in Kingston in June 2011 which claimed the life of Mavado’s friend, Conroy ‘Connie’ Edwards. Despite the fatality, Bounty reportedly never offered condolences for Mavado’s loss, instead blaming him for causing trouble at his party. The two have talked on and off ever since.

Another Alliance deejay, Busy Signal hinted at the tension between the two in a single, Real Talk which was labelled as a ‘Mavado warning.’ In that song, he deejayed, “Singer nuffi a war Bounty real talk, him nuh memba when him bruck and when him hungry? A beg the bills and the 50? Tell him nuh be an ungrateful pickney, Killa a di man wey help people pickney buss di youths outa the slum fi mek it musically. Now yu mek it pon yu own a feed yu family. Rodney Price cudda neva be mi enemy.”

Supercat, Saw, Sizzla and ‘Di Stinga’ highlight intriguing STING 30

by Jodee Brown

After a night filled with clashes, eye-raising moments and the return of a legend, STING 2013the 30th anniversary of the ‘Greatest Dancehall show on Earth’ on Dec. 26 certainly entertained and provoked thoughts throughout, leaving music lovers with lots of talking points to dissect for a long time coming.

The show, organized by Supreme Promotions and Downsound Records was, in this writer’s opinion, the most intriguing one since 2008 when the rivalry between Vybz Kartel and Mavado came to a head. Highlights were prevalent and lowlights were evident; here’s a look at some of those performances and moments in this STING 30 review.

Early Segments

Early Segments

Early Segments: STING, perhaps given the amount of entertainers on the bill, started shortly after 8 a.m. Amongst the emerging artists that performed within the first two hours of STING were Kalado and Toronto based deejay Touchless, who gave short, yet effective sets, going into songs like You Make Me Feel and Summer Body respectively. However, it was fast-rising Reggae sensation, Jah Bouks that was a hit with the smaller crowd inside the Portmore-based Jamworld, performing his big hit, Angola as well as newer material such as Going Home. His performance savvy, seen at a slew of show this year, makes him a must-watch act in 2014 and beyond.

Reggae shines on stage (Romain’s last STING?)

Reggae shines on stage (Romain’s last STING?)

Reggae shines on stage (Romain’s last STING?) File photo

Though STING draws a hardcore Dancehall following, pure Reggae acts always find strong favor with the crowd, and this year was no exception. As per usual, Etana andI-Wayne drew some of the best responses from the typically judgmental audience, with the former bringing out Alborosie for a strong rendition of their collaborative hit,Blessings while the latter connected with his female following with, Girl I Love You.

While the likes of Nature and Iba Mahr also presented high energy sets, the stand out performance came from one Romain Virgo, who repeatedly hinted that this year might be the last year he performs at the show. It was a surprising admission from the 23-year-old phenom, who went into hits such as Who Feels It Knows It, Rain Is Falling, Mi Prefer Wait and Serious Times while decked out in all-white. Whatever the reasoning was behind those utterances is unknown, but after giving one of the best sets throughout the night, no one will be hoping he actually lives up to his proclamation.

Wyclef props and 2 Chainz flops

Wyclef props and 2 Chainz flops

STING 30 went out of its element by inviting international artists to the show to provide a different flavor to its fans. Unlike the more mixed crowd for Reggae Sumfest, however, it was always going to take a lot more effort to appease this crowd and in the case of 2 Chainz, he learned that the hard way.

The American rap star’s set started off on the wrong foot with technical issues dominating the first five minutes. Once his mic was finally fixed, his set just failed to get off the ground. In a performance littered with unapologetic cursing, he did songs like Birthday Suit, No Lie and others to an unmoved, silent crowd who did not seem to know exactly how to react. No matter how much he tried to warm up to them, it just was not connecting; frankly looking like a mismatch between artist and fan base. He incessantly complained about his stage time late in his performance, but perhaps this flop of a set should have ended sooner given the circumstances.

On the other hand, Wyclef Jean went over with the Portmore-based crowd by doing something that will always get you in their good graces, shouting out incarcerated Dancehall superstar and Portmore native, Vybz Kartel. After renditions of classics such as Gone Till November and911, as well as a smattering of poetry, Wyclef went into the crowd before unleashing a pair of Kartel hits for the crowd to savor. Also shouting out Buju Banton and convicted drug baron,Christopher ‘Dudus’ Coke during his set, Wyclef endeared himself to the crowd the best way he could, by indulging in the culture.

Supercat still has the ‘Iron Claw’

Supercat still has the ‘Iron Claw’

Supercat still has the ‘Iron Claw’

Now at age 50 and 11 years removed from his last performance in Jamaica, the return of the ‘Don Dada,’ Supercat to the STING stage was filled with as much mystery as there was anticipation, considering how scarce he has been on the music stage in recent years.

However, the legendary Dancehall/Reggae star showed why he is still one of the most feared and respected performers in the game, recovering from a somewhat slow opening to launch into full gear with hits like Si Boops Deh, Unda Pressure and Dolly My Baby.

The crowd loved it and there was a flow to his set, the longest of the night. Supercat also showcased some new material, including talking about his ‘doggie leg,’ but his mere presence in a white suit, sporting a beard and curls was a pleasure to witness. Hopefully, there will be more sightings of this Jamaican music great in the years to come.

Lady Saw trounces Macka Diamond in clash

Lady Saw trounces Macka Diamond in clash

Lady Saw trounces Macka Diamond in clash urbanislandz.com

Truth be told, to call this highly anticipated showdown between the ‘Queen of Dancehall’ Lady Saw and Macka Diamonda clash may be overstating it a bit. This was more of a shouting match than anything else; providing more moments of entertainment than quality lyrical content.

Saw was in no joking mood throughout the night, giving a X-rated performance that kept eyes fixated throughout, particularly during her performance of Heels On, when she called out model, Tyson Beckford and simulated a sexual position on stage while singing. Following her standout performance, she called out Macka to the stageMacka, donning all-black and face paint, did a clash-friendly rendition of her hit, Dye Dye before all hell broke loose. The two nearly butted heads before Lady Saw went out in full attack mode, alleging several sexual relationships Macka had in the music business before letting her lyrics do the talking.

Though said lyrics were not up to the standard we’re usually accustomed to from the legendary deejay, she was never pushed to go into second gear with a seemingly intimidated Macka pushed to the brink of admitting defeat near the end, saying ‘Mi will die trying.’ That line alone proved how one-way this ‘clash’ was. Saw was ruthless as she saw her prey and wouldn’t let up once she had it in her clutches, making Macka ‘die die’ lyrically as she unleashed her vocal bullets.

D’Angel gets raunchy during clash with Ninja Man

D’Angel gets raunchy during clash with Ninja Man

D’Angel gets raunchy during clash with Ninja Manyardhype.com/kingstonstyle.com

Ninja Man has faced his share of tough opponents in the clash arena – Supercat, Mad Cobra, Merciless and Kiprich – but this year’s clash rival was relatively new in that area of music. After winning a celebrity clash against Ishawna in November,D’Angel decided to respond to a lyric the ‘Don Gorgon’ sang about her during his set. She used her retort to address a fresh controversy about a picture exposing her privates that circulated on the internet shortly before Christmas. Not only did she use it as material in her answer to Ninja Man, she even ‘skinned out,’ in front of the audience while wearing a short blouse, adding a raunchiness to her set that she is not typically known for. She was unafraid of the repercussions and certainly prompted bulged eyes to be made throughout this short-lived clash.

Performance of the night – Sizzla

Performance of the night – Sizzla

Performance of the night – Sizzlayardhype.com

Otherwise, Aidonia and Beenie Man were relatively solid throughout their sets, Tommy Lee seemed reflective as he talked about his car accident and expressed his desire for a United States visa during his performance and Mavado put to rest any recent speculation about his relationship with mentor, Bounty Killer by shouting him out during his performance – a combination of old school gangsta hits mixed with a few newer songs.

But the single best performance of the night had to be Sizzla Kalonji, who was in a militant mood, performing classics like Thank You Mama, Trod Mount Zion, Be Strong and many more. Often free styling and even throwing a couple of barbs in the direction of STING’s lead promoter, Isaiah LaingSizzla made several points addressing homosexuality, Africa and many more topics to overwhelming approval from the crowd. He did not miss a beat, and should be given serious consideration to close the show in the near future.

Ryno beats Kiprich in title clash

Ryno beats Kiprich in title clash

Ryno beats Kiprich in title clash

After disposing of General B, Mercilessand even the clash king himself, Ninja Man, Kiprich was hoping for some competition for the clash title and a US$30,000 on the line to close the show. On stage stepped a surprise opponent in Black Ryno, who at the same show last year was pushed off stage by Popcaan during a heated exchange between ex Portmore Empireteammates.

Donning a very unusual costume, Kiprich looked to have underrated Ryno’s ability from the jump, but was quickly put in line by ‘Ryno Di Stinger’ with a quick, devastating flurry of lyrics which included mostly freestyles. After ‘Kippo’ made a reference to last year’s incident involving Ryno, however, the Facebook singer did not garner many likes as the clash went on as impatient, bipartisan crowd booed him as they rooted for their hometown artist. This was a unanimous decision in the end, leaving Kiprich with too much to overcome and Black Ryno with US$30,000 more in his pocket. Hopefully, this will be the start of a renaissance in the career of an artist still looking for his first big hit since severing ties with Vybz Kartel.