DeMayorTV drops killer Soca Reggaelution XXX Gyalentine’s video

Veteran Soca promoter and DJ Fresh Cut De Mayor smashes into 2016 with the XXX Edition of SOCA REGGAELUTION! This time around, Valentine’s Day was ‘turnt-up’ to De Gyalentine’s Day to remember! Brought to you by DeMayorTV! Click the image above or watch the video here: https://youtu.be/NBIAdh5xGNE

Video by Time2Rize Media
Media coverage – TorontoDeejays.com

MILESTONE 4.0 – THE CELEBRATION VIDEO (RECAP)

BEFORE EDIT-MILESTONE 4.Still004Fresh Cut De Mayor’s Official Birthday Celebration along with a gang of Pisces and Aries hit The Vue in mid-March and it was truly a #Milestone celebration! A variety of champaign bottles, hard liquor and birthday cakes were brandished throughout the venue by Milestoners and their good friends as they moved their waist-lines to the sounds of Champion Squad, Fresh Cut De Mayor, Suppa Natty, DJ Jeff and others.  #DeMayorTv presents your official chance to enjoy and re-live this memorable Milestone event. And if you missed it, click ‘play’ to sail through one VIP booth after another and get crunked up.

WATCH VIDEO HERE: https://youtu.be/0EWJqestdFQ
TW: @freshcutdemayor
IG: @freshcutdemayor

[INTERVIEW] ALKALINE: NOT THE YOUNGEST BUT STILL BADDEST

Alkaline talks about his new look, his friends, Not performing at Sting, Tommy Lee, Gage, Mavado, I-Octane, and his musical plans for 2015! Brought to you by TorontoDeejays.com

IG: @TorontoDeejays

TW: @TorontoDeejays

CLICK HERE to watch the Video Interview with Alkaline http://youtu.be/prCZd58YumY

Anju Blaxxx being plagued by scammers

by Jodee Brown

CEO and producer of UIM, Andrew Myrie, known to fans as Anju Blaxxx, is seeking to remedy the malicious work of scammers who have been plaguing his musical career.

In an official press release, UIM announced, “There has been a pervasive scam being done by unscrupulous persons, that has been ongoing for several months.”

This started since summer of last year, when Anju Blaxxx was contacted by friends, saying someone was soliciting cash and call credit from a fake Facebook account.

Anju Blaxxx also disclosed that clients have been contacted and generally told by scammers using the Facebook page, that they are working on a rhythm and that persons should send money via Western Union. However, Anju Blaxxx wants to make it clear that, he does not have a personal Facebook account, only a Fan Page which is under UIM, further emphasizing that he does not use Facebook to conduct business.”

General Vigilance

The UIM producer also took the opportunity to encourage prospective clients that they should be vigilant against phone and email scams that use his name as a lure. UIM (Uptempo International Music) does not initiate contact with clients from Facebook or does not request call credit, confidential access information or similar manipulative schemes.

Nevertheless, persons looking to conduct business with Anju Blaxxx of UIM, should contact UIM’s manager, Ms. Tanya Thelwell at tanyathelwell@gmail.com: 1-876-898-4311, 1-876-546-2759 or uimrecords@gmail.com.

Meanwhile, there are a number of projects in the pipeline for the producer. The latest rhythm is called the Punjabi Riddim, which features artistes: Mavado, Popcaan, Tommy Lee, Spice, Blak Diamon, Alkaline, Konshens and more.

Recording artiste, Tommy Lee currently has his video on the Riddim on YouTube. Additionally, there’s a single with UIM’s artiste, Blak Diamon titled Bang Bang, which has been enjoying rotation on the airwaves.

Alkaline, I-Octane to headline Dancehall Night at Reggae Sumfest 2014

Dancehall stars, Alkaline and I-Octane are two of the headline names set to perform at Reggae Sumfest 2014by Jodee Brown

Hailed as one of the most lyrical and controversial Dancehall artists in recent memory, emerging Jamaican deejay, Alkaline will be one of the headliners of this year’s edition of Reggae Sumfest, according to reports Wednesday.

The artist, known for hits such as Church Folks, Moving Mountains and Lonely, is making his second appearance at the highly-acclaimed show, debuting last year on Dancehall Night to relative approval.

Also billed for Reggae Sumfest 2014 is Dancehall/Reggae powerhouse, I-Octane, who closed Dancehall Night at last year’s edition of the popular stage show. Octane continues to dominate local charts this year with songs such as Trend Setta and Crausis while currently promoting his latest album, My Journey, which includes the hits Love You Like I Do and Lighters Up (feat. Alaine).

Other big names expected to grace the Reggae Sumfest stage include Mr. Vegas, who recently scored with his hit, Party Tun Up (feat. Sean Paul and Fatman Scoop) as well as fellow deejay Spice, who recently collaborated with hip-hop superstar, Busta Rhymes on the remix of her So Mi Like It single.

Popular deejays, Aidonia, QQ, Assassin and respected singjay, Bugle have also been confirmed for this year’s show.

Reggae Sumfest organizers say that they are in the process of recruiting bigger names for the show, but have not revealed who those names are.

Some big names outside of the Dancehall arena that have been confirmed for the show include season five winner of The Voice, Tessanne Chin, American hip-hop superstar, Wiz Khalifa as well as Reggae superstars, Chronixx, Jah Cure and Sanchez.

Reggae Sumfest 2014 will take place from July 13-19 at the Catherine Hall Entertainment Complex in Montego Bay. Early bird tickets are now available on Reggae Sumfest’s official website.

The show is being sponsored by The Gleaner Company Ltd., Jamaica Tourist Board, Digicel, Iberostar, Pepsi, Secrets and IRIE FM.

Bounty Killer Warns Freaky Artistes “Don’t come nasty up di dancehall”

A 'Killa' warning for freaky artistes

A ‘Killa’ warning for freaky artistes

by Curtis Campbell (Jamaica Star)

Guinness Greatest Dancehall Icon Bounty Killer has finally broken his silence on the taboo sexual direction which dancehall has taken in recent months, courtesy of the new crop of dancehall artistes.

The likes of J Amsterdam and Alkaline are perhaps front-runners as it relates to artistes who have pushed the barriers of the sexual language in dancehall. J Amsterdam releasing a song asking females to wine in his face and Alkaline admitting that he likes the anal stimulation from a female’s tongue as ‘brawta’ in his song on So Unique record’s Igloo Rhythm.

Bounty Killer, during a performance at a recent stage show, addressed some of these issues, stating that some things are better off left in the bedroom.

He also warned females about accepting Alkaline’s reference to them as ‘john crow’ in his (Alkaline’s) Bruck Out song when he deejayed, “Tonight every gyal a tun a devil, tun a heathen, tun a john crow”.

“Dem a talk bout dancehall a get kinky, but dancehall is just getting too friendly, everybody like everybody. Me nuh like everybody, me like who me like, mi nuh likey likey, mi nuh love likes. Listen mi, a years mi a sing some type a things and mi neva cross the line. Yu neva hear mi a tell girls fi duh certain things yet, because the public is the public. Suh some bwoy fi keep dem dirty life inna dem bedroom. Don’t come nasty up di dancehall and don’t mek nuh guy tell yu fi turn a dutty devil, nuh guy nu fi tell yu fi turn nuh john crow,” Bounty warned.

“Nuh mek nuh guy come try stereotype unno. Ghetto girls keep unno head up in the sky. Because most artiste just come up yah fi get a forward and guh wey, dem nuh give unno likkle insight, likkle information or something and unno help destroy unno self sometimes,” Bounty Killer told his fans.

Kartel lost his way

The artiste who introduced Vybz Kartel to the music industry also commented on his recent predicament with the law, as Bounty says the guilty verdict was the worst thing that could ever happen to dancehall.

“One of our most promising rising champions was found guilty of murder and that is the most tragic thing in dancehall and a me did find Kartel as a likkle youth and sey come mi youth. The moment him sey daddy devil an unno happy and laugh wid him, uno help destroy him. Yow, the devil nuh duh nothing beautiful, Kartel mek him soul get caught in hell. And the devil that is what they do, destroy goodness. I wish Kartel all the best and I hope unno put all the prayers you can so the appeal will be accepted. Leave it inna the hands of the Father, God work miracles another youth from the ghetto, from the slum, the system get him. We can only say a prayer, leave it to God. The whol’ a we mek mistakes, leave it to God, di whol a wi sin already,” Bounty said.

Bounty Killer then dedicated songs The Lord is my Light and Salvation and Closer Than a Brother to the incarcerated deejay.

Barrington Levy blasts increased level of hardcore content in Dancehall

Internationally acclaimed Reggae singer, Barrington Levy points to a lack of guidance as the reason for increases 'shock value' methods employed by young Dancehall artists in their musical content.

Internationally acclaimed Reggae singer, Barrington Levy points to a lack of guidance as the reason for increases ‘shock value’ methods employed by young Dancehall artists in their musical content.

by Jodee Brown

Throughout 2014, music lovers have seen a sharp increase in hardcore sexual content and imagery within Dancehall, with the likes of Alkaline, Demarco, Ricky Carty and J Amsterdam pushing boundaries with eyebrow-raising material to gauge interest from fans. One legendary artist is sick of this growing trend.

Barrington Levy, singer of classics such as Broader Than Broadway, Under Mi Sensi and countless others says he is tired of the X-rated nature that the genre has taken on and thinks it has damaged its credibility.

In an interview published in the Jamaica Observer on Tuesday, Levy said, “I see where the music business is taking a turn for the worst. It’s going in a direction where we are losing it.”

These people have no morals anymore. Are we going to do anything for money? I never came into the music business just to sell records. I thought I would just sing for the love of it.”

In another interview with the Jamaica Gleaner, Levy was more solutions-oriented, pointing to a lack of positive influence as the reason why young artists choose to ratchet up the shock value in their musical content.

“They are surrounded by a lot of hotheads that cannot steer them in the right direction,” he said. “People are talking about them and their songs, but not in a good way. As entertainers, we need to always set a good example for the future of music.”

“Surround yourself with good people, people who will lead you in the right direction, people that will help you make good career choices that will ensure longevity and international success.”

Dancehall has long contained specks of raunchiness and hardcore sexual content throughout its near four decades of existence, with artists such as Lady Saw and Vybz Kartel bringing said content to the forefront and becoming all-time greats as a result.

In 2014, however, X-rated content has reached another level and sparked much conversation within the Jamaican music industry, with Alkaline and J Amsterdam boldly speaking on topics of anal stimulation and giving oral sex respectively, to Ricky Carty’s infamous music video for his song, Gyal Tek It in which he had sex with a woman on camera while performing the song.

Meanwhile, Levy is set to release a new acoustic album with variations of his biggest hits. He is currently promoting his new hit single, Rosie.

2013 Year in Review: The best songs, artists and stories in Jamaican music

by Jodee Brown

After a 2012 which saw Jamaica return to the roots of its music during its 50th anniversary year, the majority of 2013 proved to be a major letdown and appeared to be heading for irrelevancy within the pantheon on memorable Jamaican periods. That is, until a certain sparkly 28-year-old singer reminded everyone that our music still has a very long shelf-life, if attention is focused on the right channels.

Tessanne Chin added a much needed boost to what was a mostly ordinary year within Jamaican music and entertainment. From a downsizing of hit songs, to increasingly poor album sales in the United States, to undying scrutiny regarding lyrical content and party regulations, these were trying times for artists and music lovers alike in 2013.

Nevertheless, we try to look on the brighter side of things in our music. With that said, check out the slideshow in the middle of this article, showing slides looking at the songs, artists and news makers that made Jamaican music interesting in 2013.  Feel free to comment below if you agree or disagree with these picks.

Best New Artist – Jah Bouks

Best New Artist – Jah Bouks

Honorable Mentions – Keznamdi, Kelissa, Alkaline, Samantha J

This year was a strong year for debutantes on the local scene. Keznamdi has music lovers re-thinking how they would spend each Weekend, Alkaline inked his eye and his name on the Dancehall scene, Kelissa continued a recent run of impressive, upcoming female singers coming out, while teenage sensation, Samantha J bragged about being the girl in the Tight Up SkirtBut, in this writer’s opinion, there is only one winner.

As an ardent listener of Portmore’s Sun City 104.9FM, there is a strong amount of good, featured music by artists with potential, but little to no mainstream assurance. One such artist was a St. Thomas native by the name of Jah Bouks whose vocals and concepts were unique and smooth.

After hearing songs like Angola and Don’t Cry play so many times on radio, there was no doubt in this writer’s mind 2013 would be Jah Bouks would be a breakout act, if he got the right push. Sai push came in the form of competing on season six of Magnum Kings and Queens of Dancehall, where his singing ability and stage presence instantly made him a hit with music lovers. He failed to emerge with the million-dollar grand prize, but his star had shone too brightly for him to fade in the limelight soon thereafter.

Angola has been a big hit in mainstream media and on Jamaican streets, landing him several shows locally and overseas in the last six months. Going Home, Vital and others proved that this was not just any ordinary, fly-by-night tinker in his music, but someone whose vision is more wide-ranging than some veteran acts in today’s business, if you listen to his content. 2014 will be a year in which music lovers will look on him Highly! As he would say.

Male Deejay of the Year – I-Octane

Male Deejay of the Year – I-Octane

Honorable Mentions – Aidonia, Vybz Kartel

There was a huge struggle with this pick, nearly a temptation to leave this award vacant in all honesty, as no Dancehall artist really made his mark on the scene all year-round, struggling for a string of hits.

Konshens, who asserted his authority in Dancehall throughout 2012 with a slew of number ones, was mostly an afterthought this year, with Pull Up To Mi Bumper (feat. J Capri) really being his only standout song, with well over six million YouTube views.

Vybz Kartel, still awaiting word on his freedom from a long-standing murder charge, produced his share of noteworthy songs such as School, Business and Georgina. But, as often the case with the ‘Worl’ Boss’ in recent years, he follows up one big song with five low quality ones.

Aidonia certainly looked like the frontrunner in the first half of the year, driving female audiences mad with songs like Fi Di Jockey, Bruki and Tip Pon Yuh Toe, but his work released since the summer drastically failed to replicate that early success.

So, in the end, this honour goes to I-Octane. His hit at the start of the year, Gyal A Gimme Bunwas a hit with music lovers, adding a mix of old-school vibes with new school humor, as evidenced by the accompanying video. Happy Time and Wine and Jiggle have also been strong on local charts and, despite some skepticism going in, Octane validated the faith shown in him by Reggae Sumfest organizers to close their Dancehall Night with one of his better performances.

Mind you, this was not as solid a year for him as 2010 was, but in a year where many Dancehall acts flattered to deceive, he managed to topple them all.

Female Deejay of the Year – Lady Saw

 Female Deejay of the Year – Lady Saw

Female Deejay of the Year – Lady Sawjamaica-gleaner.com

Honorable Mentions – Macka Diamond, Spice

Unlike the male version of this category, the female one took much less thought, because frankly, content from female deejays was very limited.

Macka Diamond certainly had the biggest song amongst her compatriots with the chart-topping single, Dye Dyebut could not duplicate that form with her follow-up efforts, no matter how raunchy or edgy her promotional or lyrical content gotSpice also had a pair of modest hits, Twerk and Dun Wife which were catchy and thought-provoking, but she was mostly anonymous otherwise, with her beefs with Macka Diamond and the winner of this category mainly keeping her talked about in the press.

For all intent and purposes, Lady Saw was supposed to be done with Dancehall – moving on to a calmer, more spiritual lifestyle after growing tired of the stress and obstacles within a genre she dominated for decades. But the inner ‘bad gyal’ in her just could not resist staying away for good. Her video for Heels On, and the remix (featuring Flo-Rida) put her back on the international map again.

Her solo set at STING 2013, and, moments later, lyrical decapitation of the aforementionedMacka Diamond during their heated clash at the show really summed up how much Dancehall still needs its queen. She still has the edge and lyrical quality left to be a force in the business, as Heels On proved. Time will tell if she follows up on her decision on walk away for good, but her fans will certainly try their best to keep her around.

Reggae Artist of the Year – Chronixx

Reggae Artist of the Year – Chronixx

Reggae Artist of the Year – Chronixx reggaesumfest.com

Honorable Mentions – Sizzla, Beres Hammond, Etana

After a year which saw him rise to instant super stardom with one international hit after the next, one could forgive Chronixx if he relented and moseyed along 2013 while trying to find firm footing within this new-found status. Nope, he is a Warrior, and he continues to fight his way to the top with alarming ease.

Conceptually, he is well beyond his years, showcased through his chart-topping hit,Smile Jamaica, a song reminiscent of Bob Marley’s classic, with a spin on it comparing Jamaica to a beautiful woman. After dropping one of the best songs of 2013, he could again be forgiven for taking his foot off the gas pedal. Of course, again, he refused.

Access Granted, Rain Music, Most I and Here Comes Trouble went over with Jamaicans far and wide, earning rotation in markets such as the United States, Canada and the United Kingdom. Billboard has already identified him as potentially Reggae music’s next big superstar, and who would blame them for jumping to that conclusion this early, given his catalogue.

In fairness, Sizzla, Beres Hammond and Etana put out solid hits which did not received nearly the same airplay or approval, but were solid throughout the year, both in studio and on stage. The former two received nods for the 2014 Best Reggae Album Grammy, whileEtana, in this writer’s opinion, should have earned a similar nod.

Given the trajectory Chronixx is on, such recognition will be coming his way much sooner than later, and deservedly so.

Song of the Year – Bumaye (Major Lazer feat. Busy Signal)

 Song of the Year – Bumaye (Major Lazer feat. Busy Signal)

Song of the Year – Bumaye (Major Lazer feat. Busy Signal)twelvefresh.com

Honorable Mentions – Smile Jamaica (Chronixx), Gyal a Gimme Bun (I-Octane), Nuh Compatible (Bugle)

There were a few gems that sparkled song-wise within the seemingly rusting jewel that was Jamaican music in 2013; all of them dominating for a long stretch of time.

Gyal a Gimme Bun was Dancehall’s biggest, most noteworthy hit between January and March, racking up number ones and giving pop culture a new term to exhaust with ‘Mi chest plate a bun mi.’

Nuh Compatible was one of the spring’s most talked about songs, composed by journeyman artist, Bugle, who finally earned his first real mainstream hit since his debut single, What We Gonna Do five years earlier. The acclaim it received was deserved and gave those going through untenable relationships a song to hang their hat on.

As mentioned in the previous slide, Smile Jamaica was a stroke of genius by Chronixx, and was easily the best Reggae song for 2013. But, the winner of this category had his song play in the background of a Pepsi commercial featuring world footballing great, Lionel Messi.Enough said.

Busy Signal, seeking that next, big mainstream hit since being released from prison in November of last year, teamed with Major Lazer for the single, Bumaye, which in English, means kill them (a phrase shouted during Muhammad Ali’s legendary fight with George Foreman).

This top-of-the-line, collaboration was, to use another boxing reference, an instant knockout, earning over 40 million YouTube hits, platinum status in Denmark and that aforementioned commercial with Messi. It was a throwback-themed song – using old-time Dancehall sounds and terms – that morphed into a commercial success and made Busy a major international player once again.

Story of the Year – Tessanne is ‘The Voice’

Story of the Year – Tessanne is ‘The Voice’

Story of the Year – Tessanne is ‘The Voice’ File photo

There could only be one winner or nominee for this honor; a no-brainer really.

Some four or five months ago, Tessanne Chin was a relative afterthought struggling to find a major breakthrough that would launch a once promising career that mostly stalled since making her mainstream debut as a teenager in 2004. Thanks to smart advice from Shaggy and one-chair-turning audition in Los Angeles, she went from Hideaway to being one of the most sought after musicians in the world right now.

Chin long possessed the vocal range, clarity and stage presence necessary to become a superstar, and after successfully auditioning for season five of NBC’s The Voice, those qualities were finally there for a much bigger audience than ours to witness. Song by song, she hit every high note with ease, and round-by-round, more American viewers were warming up to a woman whose personality and talent were too irresistible a combination to overlook.

Her last two solo performances – of Simon and Garfunkel’s Bridge Over Troubled Waterand Whitney Houston’s I Have Nothing – were two of the most memorable performances ever displayed by a Jamaican artist, or on any talent show worldwide for that matter. With every well-sung word, she had her own coach, Adam Levine, and really everyone else speechless, leaving one to wonder how high her ceiling really is.

Winning The Voice and an American recording contract were mere formalities really. It was the way the she galvanized her entire country to the point bars and Half-Way-Tree square were filled to Bolt-like proportions that was the real story. Jamaican music, and Jamaica in general, now had something to smile broadly about in a year filled with economic and social mishaps and drug controversy surrounding the island’s main source of unbridled joy in recent years, its track and field team.

Chin brought a badly-needed light on the island in dark times and has given every local musician to believe that a break is coming, with just a little persistence and attention to detail required. She now has the opportunity to become the island’s next musical icon and open doors for Jamaican in an American market which has not been kind to them since the days ofDamian ‘Jr. Gong’ Marley, Shaggy and Sean Paul.

Here is to hoping in 2014, she lays the foundation for Jamaica building a much stronger home musically.